Mit Recht.” Opermagazin.de, “If one singer stands out from the rest of the cast, it’s Alexander Vinogradov. In October 1949,[6][7][8][9] Ivinskaya was arrested as "an accomplice to the spy" and in July 1950[10] was sentenced by the Special Council of the NKVD to five years in the Gulag. recordonline.com ~ 40 Mulberry St., Middletown, NY 10940 ~ Do Not Sell My Personal Information ~ Cookie Policy ~ Do Not Sell My Personal Information ~ Privacy Policy ~ Terms Of Service ~ Your California Privacy Rights / Privacy Policy. William Hartston, Express, The bass of Dmitry Belosselskiy, as Wurm, was well contrasted with Vinogradov’s: the count’s tone was cultivated, his henchman’s raw and black. Original content available for non-commercial use under a Creative Commons license, except where noted. [5] In a 1958 letter to a friend in West Germany, Pasternak wrote, "She was put in jail on my account, as the person considered by the secret police to be closest to me, and they hoped that by means of a grueling interrogation and threats they could extract enough evidence from her to put me on trial. La seua vez poderosa, des cavernosos freís a les moltes ascensions a l’agut, es va posar al servici d’una encarnacio rotunda del sordid i exaltat patriota.’ Antonio Gasco, Quadern, ‘…Alexander Vinogradov als Procida, der einen herrlichen, formschön ausgesungenen Bass präsentierte. Eric Sabourin, Les Artsze, 18 September 2019, Martin Prevost, Pieuvre.ca, 19 September 2019, Caroline Rodgers, Ludwig van Montreal, 18 September 2019, Daniel Raymond, Atuvu.ca, 19 September 2019, http://www.guardian.co.uk/music/2013/may/05/royal-liverpool-philharmonic-petrenko-review, http://www.liverpoolecho.co.uk/liverpool-entertainment/echo-entertainment/2013/05/03/review-shostakovich-s-14th-symphony-and-britten-s-symphony-for-cello-and-orchestra-100252-33277154/#ixzz2ScHrRj3x, http://www.palermomania.it/news_rub.php?id=1360, http://www.resmusica.com/2013/05/27/a-turin-oneguine-tourne-en-rond/, http://www.gbopera.it/2013/05/torino-teatro-regio-evgenij-onegin/, http://www.diapasonmag.fr/actualites/critiques/vu-et-entendu-la-nouvelle-conque-de-l-opera-bastille, http://www.musicweb-international.com/classrev/2014/Jun14/Rachmaninov_songs_DCD34127.htm, http://www.classicstoday.com/review/petrenkos-shostakovich-fourteenth-wow/?search=1#sthash.Z0WdEb1h.dpuf, http://www.musicweb-international.com/classrev/2014/Apr14/Shostakovich_sy14_8573132.htm, http://www.ft.com/cms/s/2/cae70e1e-b2e3-11e3-8038-00144feabdc0.html#axzz311ORgJqD, http://www.operalibera.net/joomla/recensioni/spettacoli1/901-carmen, http://www.tagesspiegel.de/kultur/konzerthausorchester-in-berlin-dirigent-dmitrij-kitajenko-ohne-zauberkuenste/10077594.html, http://www.gp.se/kulturnoje/recensioner/konsert/konsert4fyrar/1.2495097-goteborgs-symfoniker-konserthuset-fredag, http://www.theguardian.com/music/2014/oct/05/shostakovich-13-babi-yar-powerful-climax-rlpo-cycle, http://www.pizzicato.lu/auf-diese-cd-produktion-durfen-sie-sich-schon-jetzt-freuen-kitajenkos-prachtige-jolanthe-in-koln/, http://www.der-neue-merker.eu/koeln-philharmonie-jolanthe-konzertant, http://www.estrepublicain.fr/actualite/2014/11/27/trois-abigaille-pour-nabucco, http://www.ruedutheatre.eu/article/2835/nabucco/, http://www.ft.com/intl/cms/s/0/78cc7590-b055-11e4-92b6-00144feab7de.html, http://www.resmusica.com/2015/02/10/aleko-aux-enfers-deux-rares-operas-de-rachmaninov-a-nancy/, http://www.webtheatre.fr/ALEKO-et-FRANCESCA-DA-RIMINI-de, http://www.diapasonmag.fr/actualites/critiques/opera-national-de-lorraine-aleko-et-francesca-da-rimini-de-rachmaninov, http://www.forumopera.com/nabucco-nancy-raffaella-angeletti-sauve-la-mise, http://www.gramophone.co.uk/review/tchaikovsky-iolanta-2, http://magazin.klassik.com/reviews/reviews.cfm?TASK=REVIEW&RECID=28796&REID=15968, http://www.operanews.com/Opera_News_Magazine/2016/4/Recordings/TCHAIKOVSKY__Iolanta.html, http://theaterpur.net/theater/musiktheater/2016/02/e-aalto-faust.html, http://der-neue-merker.eu/essen-faust-premierebln, http://www.derwesten.de/kultur/aalto-theater-in-essen-zeigt-gretchen-im-maerchenwald-id11513980.html, http://seenandheard-international.com/2015/12/placido-domingo-and-a-superb-cast-triumph-in-valencias-macbeth/, http://www.mundoclasico.com/ed3/documentos/doc-ver.aspx?id=7cc230fb-e780-469a-8281-0b1e6f41ac1e, http://www.operaworld.es/critica-de-don-carlo-en-el-teatro-colon-de-buenos-aires/, http://seenandheard-international.com/2016/04/excitement-on-stage-and-off-makes-for-a-memorable-carmen/, http://www.musik-heute.de/13863/eisensteins-iwan-der-schreckliche-erstmals-mit-originalmusik-aufgefuehrt/, http://www.nmz.de/online/restauration-eines-gesamtkunstwerks-eisensteins-und-prokofjews-iwan-der-schreckliche-berlin, https://www.freitag.de/autoren/michael-jaeger/iwan-grosnij-von-eisenstein-und-prokofjew, http://www.operaclick.com/recensioni/teatrale/berlin-konzerthaus-ivan-il-terribile-film-due-parti-di-sergej-eisenstein.

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